I had originally planned to make this part two in my
series on Star Wars: The Force Awakens. However I’ve decided to not wait
until putting the finishing touches on the first part because I believe what’s
revealed in the following meditation is central to the message of the new Star
Wars. We were brought to theaters with the idea that we were to be
engrossed by an entertaining sci-fi story that captured a generation’s
imagination and which was set to do so for another. While that was true, there
was another agenda. And it is that agenda I wish to reveal now. My original
introduction to part two is below. Also, the original posting of this meditation is at my new Talagxaon blog.
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I'm now going to talk to you about why I think this movie had an agenda, and a particular one at that, one that became glaringly obvious as I continued to watch, and which was confirmed in my later researches and readings on the subject. But, first, to set the stage, let's talk about the women who showed up in The Force Awakens, because it is indeed women who are the central focus of my insights into the crusade of this movie.
The Women of The Force Awakens
Princess Leia Organa-Solo
General Leia Organa-Solo |
But though seeing her again is cool, and though there is a very memorable and emotionally touching reunion between herself and Han Solo, Princess Leia is hardly used to full capacity in the storyline, almost appearing as another backdrop on which to overlay the new feminine mystique of the program, Rey. Though this is disappointing it is understandable from a storytelling point of view. However, many questions remain unanswered about Leia's development in the last thirty years of the timeline, questions I hope are answered as this final trilogy unfolds.
But how does my acceptance of Leia diverge from the others?
Captain Phasma
Captain Phasma, First Order military leader |
Though we do not know
it from the beginning, Captain Phasma is female. And we are only given
to realize this when she reprimands renegade Stormtrooper Finn when he's
finally starting to question his allegiance to the First Order at the
outset of the story. Even Phasma's armor is androgynous in order to
prevent the possibility of one discerning she's anything but a competent
trooper, presumably male; and she never removes her helmet at any point
either. So we only have her voice, which is unmistakably feminine. So
be it. However, the criticism of this character is not that she's
another girl, but the psychology involved in getting us to accept
her on-screen presence, which is based primarily on clever but subtle
concealment. From the armor that hides her female body parts to the
helmet that cloaks her feminine facial features - and which, once
removed, would demonstrate that the gig is up - we are given a character
which the scriptwriters seemed afraid might be rejected were it to be
shown too soon not to be male.
OOPs, it's a GIRL! OH, MY GOD! It's got boobs, it can't be a soldier!
Give me a break.
Sure, undoubtedly, some audience members - male and female
- would have a problem with this. But time and again we've observed the
opposite to be true, whether it is in the dedication of fans to
characters like Jedi Master and Council member Shaak Ti, Alice of Resident Evil notoriety, or the katana-swinging Michonne of The Walking Dead (my personal favorite character next to Rick Grimes
himself!). So what was up with consistently keeping the identity and
utility of Captain Phasma secret, as if she would be kicked to the curb
and resented if it were revealed she was a woman? The only resentment
(and I dare say, rejection) of this persona from most viewers would be
that it's another useless creation of a female personality for the sake of creating a female personality,
as opposed to one who is compelling and thought-provoking. And that
itself has a reason which I will declare at the conclusion of the rest
of our Women of TFA profiles.
Maz Kanata
Maz Kanata, the female answer to Jedi grandmaster Yoda |
But is Maz Kanata's presence simply another bow to the fangirls of the series, another way to tell the female audience members, "Look, Star Wars is for you too"? With the plethora of women who repeatedly appear in TFA it can be argued just so, especially as two more, female spies - one for the First Order and the other for the Resistance - show up in Kanata's bar just as our heroes do.
On the right, one of two female spies featured in Kanata's pub |
But,
"What are you saying? Chicks can't be spies?" Sure they can! And
history proves they can be very effective ones when trained properly.
The observation here centers around the shear number of women we
continue to see in the storyline and asks the reader to ponder why.
Rey
Rey, the girl who can do anything...and better than any man |
However, what we are treated to with the character of Rey is a young woman who is at odds with the universe around her, isolated, and somewhat maladjusted. Fine. Very good. Character traits we can get along with and which are interesting for plot development. Unfortunately, these things, which stand to be the "meat and potatoes" of the character, are only given marginal screen-time, and hardly explored. Instead what we are offered is how smart and tough Rey is. OK! Still fine character traits, but unbalanced with the others in favor of showing us just how strong, modern, and independent she is. Rey becomes, not a character in whom viewers can invest emotional attachment, and whom they may possibly be able to identify with, whatever their sex, but a caricature for the modern feminist woman who ballyhoos at every opportunity, "I don't need no man!"
Combine these things with the fact that Rey can do anything from fix broken hyperdrive coils to piloting speeders and antique spaceships, to doing in the Force in days what it took more powerful Force adepts than she years to learn, including Chosen One Anakin Skywalker - a veritable genius Rey is! - and you have the perfect recipe for every sci-fi chickadee's dream, a girlie girl who can run circles around the boys while gleefully singing, "Anything you can do I can do better. I can do anything better than you!" And all while keeping her clothes completely on at that!
Social Justice Warriors, rejoice! You now have the sci-fi feminist icon you've waited forty years for!
TFA as a Social Justice Experiment
Enterprise bridge officer Lt. Uhura, Star Trek: TOS, 1960s era |
Or is it more credible to think that what many feminist SJWs, and their progressivist male allies, are really hollering for in science fiction is the presence of more white female leads and the unqualified worship/acceptance of such leads by men?
That stated, the notion that this observation is about denying chicks their "grrl power" in science fiction is absurd and should not be asserted by anyone objectively reading this criticism. However, we must ask why in TFA was there a consistent, ever-recurring theme to bombard and bamboozle the audience with image upon image of women in positions of authority and/or power, and, in the case of the character Rey, why this very underdeveloped personality was shown in scene after scene either outclassing or upstaging her male counterparts, including in areas where their own expertise was imminently greater than hers. Examples of this include her telling Han Solo how to fix a critical malfunction aboard the Millennium Falcon, a ship he was intimately familiar with before the gifted Ms. Rey was even born, and which she'd only just stepped foot on hours prior to his arrival; her rescuing Finn from the First Order assault on Jakku, and subsequently from the monsters aboard the Falcon; and saving Finn from death at the hands of Kylo Ren on Starkiller Base by besting the wanna-be Darth Vader 2 in a lightsaber fight.
And that example itself raises criticism. Any observing, thinking viewer has to wonder how in bloody hell does an untrained duelist, barely Force-conscious individual like Rey go from having no conceptualization of her own power in the Force to being able to suddenly, expertly "tap into" its living essence - essentially in a matter of days - so much so that she's able to Force Will a stormtrooper to release her from captivity on Starkiller Base and, later, to fight Kylo Ren - a trained and skilled Force wielder and lightsaber duelist - to a standstill though she had not prior experience nor training with either.
Clearly, and without objection, Rey is a talented being, one whose natural ability (particularly with the Force) can be likened to an individual with an "ear" for music, but who has yet to learn how to read music or control his/her own voice. She has raw, undeveloped talent which explodes onto the scene without explanation or cultivation. But she has no skill. And at some point her loosely-awakened, innate talent begins to stretch the boundaries of credulity.
But Why Repeat These Elements Ad Nauseum?
Star Wars was always a boys’ thing, and a movie that dads could take their sons to.
And although that is still very much the case, I was really hoping
this could be a movie
that mothers could take their daughters to as
well.
-- JJ Abrams
The answer, I claim, to not only the "girls are awesome" trope that runs through TFA, but also to Rey's overcompensatory coolness, can be found in the statements of both Lucasfilm CEO Kathleen Kennedy and Episode VII director J.J. Abrams, each of which has candidly asserted their desire to use The Force Awakens as a vehicle to promote the empowerment of girls and women in science fiction and the real world at large. And there is nothing wrong with this idea in principle; if women wish equal rights and privileges in society, that of course will entail full-fledged access to equal opportunity, with the accompanying equal responsibility and accountability to boot.
Linda Hamilton as Sarah Conner from The Terminator series |
Sigourney Weaver as Ripley in Alien |
So, Ms. Kennedy, Mr. Abrams, was it so absolutely necessary to hound us with something that most intelligent SF adherents already know and which most of us have no objection to seeing? I argue not, and further that it would have been better for you to concentrate primarily on giving us a superior story that smoothly incorporated compelling female identities rather than a movie through which you wished to cram down our throats your Star Wars SJW experiment.
The Feminist Force Awakens
I don’t have many choices. But that’s going to change. Going forward with all
we’re talking about there are going to be a lot of wonderful new [female] characters.
-- Kathleen Kennedy at Star Wars Celebration, 2015
The venomous Diana from the 1980s sci-fi hit, V |
Kathleen Kennedy and J.J. Abrams saturated TFA with women because their agenda to see women front and center of the sci-fi phenomenon was greater than their desire to tell a genuine, original story that paid homage to this giant of speculative fiction entertainment. Their aim to feminize Star Wars on behalf of a social justice crusade should not be accepted by those who’ve come to love it and its message of liberty, justice, and epic excitement.
Cmdr. Susan Ivanova, 1990s sci-fi adventure, Babylon 5 |
In my next post on The Force Awakens I will delve into the other principal characters and what I thought of them and their relationships to the overall arch.
To the upward reach of man.
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